Tuesday, October 21, 2008

Philadelphia, etc.

Saturday late afternoon my friend Mary Kalyna picked me up at the Philadelphia airport, then we picked up CAConrad and we all went back to Mary's place for a sleepover party. Mary and Conrad are what I miss most about living in Philadelphia. We spent the night eating pierogis, stuffed cabbage, and borscht, all made by Mary's mom. We talked about scary things like Nostradomus, nuclear winter, and how Bush might bomb Iran, if Obama is elected. And we talked about annoying things, like bad dates and lazy neighbors. And then we watched Sarah Palin on SNL. Totally boring, we thought. The next morning we saw Colin Powell endorse Obama on "Meet the Press". Mary and I nearly wept. I was grateful for Powell's criticism of the Republicans' derogatory use of the Muslim religion. It was nice to hear a general criticize his own party for being racist. Can't exactly say that Powell is part of the liberal media or has a leftist agenda. Seems like his criticism would most likely be taken seriously by the people who need to hear it most.

That afternoon we spent in the museum with the Australian poet Pam Brown, the poet Frank Sherlock, and my parents. We were killing time until 4pm, when Pam and I were scheduled to read with Ron Silliman. I was excited and antsy about my reading, so the thing I remember most about the museum is the chocolate pudding. It's hard to look at art when you are getting ready to perform. My dad managed to tell us his entire history with Hooter's (the restaurant). It's a story I'd like to get on video tape and post to youtube. I was also grateful to have a little time to talk to Pam. I always enjoy hearing what foreigners find odd about our country. See was shocked by the gossipy article on Cindy McCain in the New York Times and was bringing it back to Australia to show people that such things counted as news here.

The reading itself was well-attended. Pam and I struggled with the microphone, but it seems from the audience response that we managed ok, despite our own discomfort at the stage. Pam's work is published by Salt Press. Short angular poems, spirited with a sense of humor, though not overly comical, just enough to handle the gravity of the work, something I very much respect in poems. I am looking forward to reading her work on the page. I usually absorb a lot at readings, but less so, when I am one of the readers. I'm not generally able to overcome my own nervousness to be a great listener.

Ron's reading I heard more of, because he read after me and there was a short break between our two readings. I am always reminded when I hear Ron's work that LANGUAGE poetry is realism, an extension of the Williams tradition. It seems that the idea of LANGUAGE poetry in the poetry world at large seems at odds often with the actual work. People love to hate what they haven't read in this case. But they most likely would dig it. I mean, who doesn't love poetry with lots of concrete nouns in it? My mother, whose native language is not English, had an easier time understanding Ron's work than mine. So to all of you who like to call any "cryptic" poetry, Language Poetry, do your homework and update your vocabulary.

My dad played official photographer. It was a little embarrassing. As soon as I get the photos, I'll post them.

My next readings are in Durham on November 20th and in NYC on December 9th. After Christmas, the reading schedule gets more intense, so lookout, especially if you live in the mod-west.

Jacob Russell wrote a nice review of the Philadelphia reading
here.

Monday, October 13, 2008

Philadelphia Reading on Sunday, October 19th!


Pam Brown
Magdalena Zurawski
Ron Silliman

DO NOT MISS THIS READING!

Hosted by CAConrad

ROBIN'S BOOKSTORE
108 S. 13th St., Philadelphia

Sunday, October 19th, 4pm

Pam Brown lives in Australia and is co-editor of Jacket Magazine. She has published many books and chapbooks including Text thing (Little Esther Books, 2002) and Dear Deliria (Salt Publishing, 2003) which was awarded the New South Wales Premier’s Prize for Poetry in 2004. She collaborated with Seattle-based Egyptian poet Maged Zaher on a collection of poems called farout library software (Tinfish Press, 2007). Her most recent book, True Thoughts, was published by Salt Publishing in September 2008. Her next collection, Authentic Local, is forthcoming from Papertiger Media in 2009. She keeps a blog you can see HERE.

Magdalena Zurawski was born in Newark, NJ in 1972 to Polish immigrants. Her work has been published in American Poet: The Journal of the Academy of American Poets, The Poetry Project Newsletter, Rattapallax, Talisman, and other magazines. She lives in North Carolina where she is working on her PhD at Duke University. The Bruise is her first novel and won the Ronald Sukenik Innovative Fiction Prize. Her blog is HERE.

Ron Silliman's long awaited collection THE ALPHABET will be available for sale and for signing. He is the author or editor of twenty-six books of poetry or criticism, among them The Age of Huts (compleat), Tjanting, ABC, Demo to Ink, Paradise, ®, What, Woundwood, and the memoir Under Albany. He edited the landmark poetry anthology In the American Tree, and has received a Pew Fellowship in the Arts, two Fellowships from the National Endowment of the Arts, and three arts commission grants from the state arts councils of California and Pennsylvania. His widely read Silliman's Blog, a daily journal devoted to contemporary poetry and poetics, has become a major force in online literary criticism. He is a member of the Grand Piano collective.

This note shamelessly stolen
(and somewhat adapted)
from CAConradEvents

Thursday, October 09, 2008

Why Hobbes's LEVIATHAN is Worth Reading...

...even if you are not a monarchist:

1) This passage reminds me of the opening scene of Proust:

The most difficult discerning of a mans Dream, from his waking thoughts, is then, when by some accident we observe not that we have slept: which is easie to happen to a man full of fearfull thoughts; and whose conscience is much troubled; and that sleepeth, without the circumstances of going to bed, or putting off his clothes, as one that noddeth in a chayre. For he that taketh pains, and industriously layes himself to sleep, in case any uncouth and exorbitant fancy come unto him, cannot easily think it other than a Dream.

2) And this is where Lisa Jarnot found her lemur (maybe):

The unformed matter of the World, was a God, by the name of Chaos.

The Heaven, the Ocean, the Planets, the Fire, the Earth, the Winds, were so many Gods.

Men, Women, a Bird, a Crocodile, a Calf, A Dogge, a Snake, an Onion, a Leeke, Deified. Besides, that they filled almost all places, with spirits called Daemons: the plains, with Pan, and Panises, or Satyres; the Woods, with Fawnes, and Nymphs; the Sea, with Tritons, and other Nymphs; every River, and Fountayn, with a Ghost of his name, and with Nymphs; every house, with its Lares, or Familiars; every man, with his Genius; Hell with Ghosts, and spirituall Officers, as Charon, Cerberus, and the Furies; and in the night time, all places with Larvae, Lemures, Ghostof men deceased, and a whole kingdome of Fayries and Bugbears. They have also ascribed Divinity, and built Temples to meer Accidents, and Qualities; such as are Time, Night, Day, Peace, Concord, Love, Contention, Vertue, Honour, Health, Rust, Fever, and the like; which when they prayed for, or against, they prayed to, as if there were Ghosts of those names hanging over their heads, and letting fall, or withholding that Good, or Evill, for, or against which they prayed. They invoked also their own Wit, by the name of Muses; their own Ignorance, by the name of Fortune, their own Lust, by the name of Cupid; their own Rage, by the name Furies; their own privy members by the name Priapus; and attributed their pollutions, to Incubi, and Succubae: insomuch as there was nothing, which a Poet could introduce as a person in his Poem, which they did not make either a God, or a Divel.

Sunday, September 28, 2008

Jocelyn Saidenberg & Guillermo Parra

MINOR-AMERICAN POETRY SERIES:

Saturday, October 4, 7:00 pm
The Broad Street Cafe
1116 Broad Street, Durham, NC 27705
919.416.9707

Please come out and support our series as it moves to a public all-ages venue. Admission is free.

Jocelyn Saidenberg is the author of Mortal City (Parentheses Writing Series) and CUSP (Kelsey St. Press), and Negativity (Atelos). She is the founder and editor of KRUPSKAYA Books. Born and raised in New York City, she lives in San Francisco where she is active in the queer arts communities and works as a catalog librarian for the public library.

Guillermo Parra was born in Cambridge, MA in 1970. His poems, essays and translations have appeared in Effing, The C.L.R. James Journal, Fascicle and 6x6. In 2006 he published Caracas Notebook (Cy Gist Press). He lives in Durham, NC and writes the blog Venepoetics.

Broad Street Café now has a full hot food menu, wood-fired pizza, 15 beers on tap and full bar. Check out www.TheBroadStreetCafe.com for hours, menu, directions and more.

Monday, September 15, 2008

Moby Dick

I am half-way through Moby Dick. It is my third time this far into the novel, though this is just about where I have always stopped reading. Under no circumstances will I not make it through to the end this time. The book means too much to me now. I have always loved the language, but the speed always belonged to another world. I think now I am a part of that other world, operating at a different speed than, for instance, the office worker, sitting long hours in the library, that vessel of boredom, waiting for the next mammal to upset my evening, but until then, just reading. Slowly reading. The book is slow because it is so beautiful. Or, technically, sublime. One cannot have enough adequate thoughts for each sentence, and yet, one must read on. Luckily, this time I am in a melancholic mood that allows me to read with a teenage feeling, which, in some ways, is the most satisfying of reading styles. The sentences matter then. I can't help but want to use each clause for myself, as if Melville could help me feel differently. It opens me up to the book, at the same time that I distort it for my own emotional ends. It turns Moby Dick into an experience not unlike the one described in the first few pages of Proust where the book and the dream and the dreamer are all confused. Perhaps this kind of reading is the experience I am best at initiating, though I am still not sure if reading is an experience or what one does until one can have experience. In any case, my favorite sentences thus far are pasted below:

“The sovereignest thing on earth is parmacetti for an inward bruise.” – King Henry

“Look ye now, young man, thy lungs are a sort of soft, d’ye see, thou does not talk shark a bit. Sure, ye’ve been at sea before now; sure of that?”

“But I am one of those that never take on about princely fortunes, and am quite content if the world is ready to board and lodge me, while I am putting up at this grim sign of the Thunder Cloud.”

“Hear him, hear him now,” cried Peleg, marching across the cabin, and thrusting his hands far down into his pockets,--“hear him, all of ye. Think of that! When every moment we thought the ship would sink! Death and the Judgment then? What? With all three masts making such an everlasting thundering against the side; and every sea breaking over us, fore and aft. Think of Death and the Judgment then? No! no time to think about Death then. Life was what Captain Ahab and I was thinking of; and how to save all hands—how to rig jury-masts—how to get into the nearest port; that was what I was thinking of.”

“A soul’s a sort of fifth wheel to a wagon.”

“But when a man suspects any wrong, it sometimes happens that if he be already involved in the matter, he insensibly strives to cover up his suspicions even from himself. And much this way it was with me. I said nothing, and tried to think nothing.”

“Never did those sweet words sound more sweetly to me than then. They were full of hope and fruition. Spite of this frigid winter night in the boisterous Atlantic, spite of my wet feet and wetter jacket, there was yet, it then seemed to me, many a pleasant haven in store; and meads and glades so eternally vernal, that the grass shot up by the spring, untrodden, unwilted, remains at midsummer.”

“But as in landlessness alone resides the highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing—straight up, leaps thy apotheosis!

“For small erections may be finished by their first architects; grand ones, true ones, ever leave the copestone to posterity. God keep me from ever completing anything. This whole book is but a draught—nay, but the draught of a draught. Oh, Time, Strength, Cash, and Patience!”

“For what he ate did not so much relieve his hunger, as keep it immortal in him.”

“For the most part, in this tropic whaling life, a sublime uneventfulness invests you; you hear no news; read no gazettes; extras with startling accounts of commonplaces never delude you into unnecessary excitements; you hear of no domestic afflictions; bankrupt securities; fall of stocks; are never troubled with the thought of what you shall have for dinner—for all your meals for three years and more are snugly stowed in casks, and your bill of fare is immutable.”

“And it is much to be deplored that the place to which you devote so considerable a portion of the whole term of your natural life, should be so sadly destitute of anything approaching to a cozy inhabitiveness, or adapted to breed a comfortable localness of feeling, such as pertains to a bed, a hammock, a hearse, a sentry box, a pulpit, a coach, or any other of those small and snug contrivances in which men temporarily isolate themselves.”

“With the problem of the universe revolving in me, how could I—being left completely to myself at such a thought-engendering altitude,--how could I but lightly hold my obligations to observe all whaleships’ standing orders, ‘Keep your weather eye open, and sing out every time.’”

“For nowadays, the whale fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the carking cares of earth, and seeking sentiment in tar and blubber.”

“There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch, slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!”

Wednesday, September 10, 2008

Reading Report Etc.

So Asheville and Providence, the first two readings with novel in hand, were great. Chall Gray's house reading series was one of the friendliest ever. The crowd was small, as it was Labor Day weekend, but they were there and along for the ride. Brian Howe recorded us and kindly uploaded my reading here.

Last weekend's reading in Providence was extra special. Friday afternoon I got to visit many of the places actually in the novel. I saw the Bridge above the Seekonk River, was able to sneak into my old dorm where I found the door of my room open and I met its newest resident, but was unable to verify if there was still a white plastic bucket in the closet. I saw the statue of Marcus Aurelius, but, alas, was unable to get a ham steak in the refectory for dinner.

On Friday night I did have a lovely evening of Thai Food and wine with Rosmarie and Keith Waldrop and Susan Bernstein, all of whom were important mentors. I was moved by their welcome and their excitement for the book and reading. The reading on Saturday itself was great. A packed house full of friends and old teachers. Thanks again to Kate Shapira for making it all happen. Providence still feels like home in many ways.